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Third | 
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| Artist: Portishead
Label: Mercury
Category: Music
List Price: $13.98
Buy New: $8.44
You Save: $5.54 (40%)
New (53) Used (12) from $8.44
Rating:  153 reviews
Sales Rank: 86
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5
MPN: 001114102
UPC: 602517664005
EAN: 0602517664005
ASIN: B0016HNOXQ
Release Date: April 29, 2008
Availability: Usually ships in 1-2 business days
Shipping: International shipping available
Condition: Brand New - Factory Sealed - Shipped from Florida via USPS First class mail. We ONLY sell what we have in stock. NO back orders here.Import Edition
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| Tracks:
| • | Silence | | • | Hunter | | • | Nylon Smile | | • | The Rip | | • | Plastic | | • | We Carry On | | • | Deep Water | | • | Machine Gun | | • | Small | | • | Magic Doors | | • | Threads |
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| Editorial Reviews:
Amazon.co.uk
Portishead's Third has been a long time coming, the result of a lengthy creative torpor following 1997's dark, distinctly underrated album Portishead. Importantly, though, they've shaken it. While the core trio of Beth Gibbons, Geoff Barrow, and Adrian Utley remains, this is quite a different band to Portishead's 90s incarnation: gone is the slo-mo turntable scratching and smoky jazz feel, replaced by heavy, brooding rhythms, vintage-sounding electronics, and spindly guitar. Still present, though, is that sense of emotional fracture and deep gloom. "Silence" opens with a dense drum loop which suddenly falls away to reveal Gibbons' voice, cold but magnificent: "Wounded and afraid, inside my head/Falling through changes". "Nylon Smile", meanwhile, is a fine example of Third's occasional folksy edge, an acoustic song reminiscent of Leonard Cohen that, around its midpoint, lifts off on a propulsive electronic rhythm, Gibbons holding one clear, hard note as synthesisers bubble beneath. At times, it's a harsh and foreboding listen: the electronic drums of "Machine Gun" might put off the listener hoping for smooth dinner party fare. But Third is a brave and forward-thinking return, and one great enough to justify its lengthy gestation. --Louis Pattison
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| Customer Reviews: Read 148 more reviews...
 Great for the fans August 25, 2008
Jay C. Nabb (Duncan, Vancouver Island, Canada)
It's a short album, but it's okay. This is a compact album with a lot of familiar tones that are expected from Portishead, but they do branch off with new ideas and unchartered waters. For those who have not yet heard Portishead, then I strongly suggest holding off from this album until you hear their first two.
Deconstructing portishead August 22, 2008
omm (Ciudad de Mexico, Mexico)
Revisiting themselves, this band make a fresh and sharp look to this new era of boredom nihilism
 profoundly disappointed... August 8, 2008
infjdesign (Lawrence, KS USA)
0 out of 1 found this review helpful
I waited 10 years for this??? seriously..."The Rip" (ironic song title) is as good as it gets??? I never would have thought that Thom Yorke would make Beth Gibbons irrelevant...it looks like i am keeping my Radiohead and losing my Portishead...or at least this release...see you in another 10 years...
STOP IT!!! August 6, 2008
Hugh Mann (Burbank,califonia)
0 out of 1 found this review helpful
That's right, STOP IT fellow reviewers!!! Stop comparing Portishead albums. Each album is unique, beautiful and distinctively Portishead: electronic, dynamic, ambient, driving, moody, poetic. If you had never heard Portishead music before (assuming you like edgy electronic rock to begin with) and were given the Third album as an introductory to their music you would either fall in love with it (or not) just as much as you would (or wouldn't) with either one of their other two albums. It's the substance of their music that should be qualified regardless of the time period in which it was produced. Having said that, Third is marvelously musically Portishead, It'll shut you down and turn you on.
A new sound August 3, 2008
Phillip Macarthur (Sydney, NSW Australia)
Portishead has always kind of had a bit of a "dinner party" sound to it, the kind of music you can play in the background at a party and it be recieved well. Beth Gibbon's singing and lyrics of profound uncertainty, little claustrophobic feelings of unrest and lonliness are haunting, charming even nostalgic...
Third takes on a different sound opening with Silence there's still the sense of haunting and claustrophobia but the sound is more desperate, more active, the rest of the album is undeniably Portishead, but you'll hear more samples, more effects, more dischordant activity and while a good album I feel it should be treated as a separate work from Dummy and Self Titled this album has a distinct sound to itself.
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